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Yazar
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Taghreed Abdul Khaleq Hadi
& Hadeel Ali Sabaa Khammas
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Türü |
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Baskı Yılı |
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2022
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Sayı |
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73
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Sayfa |
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672-695
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DOI Number: |
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| Cite : |
Taghreed Abdul Khaleq Hadi & Hadeel Ali Sabaa Khammas, (2022). THE MULTIPLICITY OF VOICES IN THE NOVELS OF JAMAL AL-GHITANI. Route Education and Social Science Journal , 73, p. 672-695. Doi: 10.17121/ressjournal.3223.
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711 612
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Özet
Talking about the ideological level in the novel is a talk about the
deep structure that the author adopts when creating his novelistic
world. This depends mainly on his ideological position on the theme
of the novel. If the novelist adopts only one position, then we are
faced with the novel of one voice. And if he adopts more than one
voice, on the surface, this means his "bias" for a particular voice, and
then we are facing a polyphonic narrative. But if the text is a smooth
surface for the sounds that struggle over it, and the author does not
favor one sound over another, then we are faced with an essential
multiplicity of sounds. On the basis of this theoretical section, we
will discuss the polyphony of voices in the novels of the Egyptian
novelist Gamal Al-Ghitani.
Anahtar Kelimeler
Polyphony,the novel,Jamal Al-Ghitani
Abstract
Talking about the ideological level in the novel is a talk about the
deep structure that the author adopts when creating his novelistic
world. This depends mainly on his ideological position on the theme
of the novel. If the novelist adopts only one position, then we are
faced with the novel of one voice. And if he adopts more than one
voice, on the surface, this means his "bias" for a particular voice, and
then we are facing a polyphonic narrative. But if the text is a smooth
surface for the sounds that struggle over it, and the author does not
favor one sound over another, then we are faced with an essential
multiplicity of sounds. On the basis of this theoretical section, we
will discuss the polyphony of voices in the novels of the Egyptian
novelist Gamal Al-Ghitani.
Keywords
Polyphony,the novel,Jamal Al-Ghitani
