|
Yazar
|
:
Rawan FADEL
& Iman Taha YASSIN
|
|
Türü |
:
|
Baskı Yılı |
:
2020
|
Sayı |
:
56
|
Sayfa |
:
355-369
|
DOI Number: |
:
|
Cite : |
Rawan FADEL & Iman Taha YASSIN, (2020). THE AESTHETIC IMPLICATIONS OF COLOR VALUES IN MODERN DIGITAL DESIGNS. Route Education and Social Science Journal , 56, p. 355-369. Doi: 10.17121/ressjournal.2843.
|
880 834
|
Özet
In the current era, technology has dominated the details of our
lives, and catching up with technology has become a necessity of
life for people because it possesses advanced creative
characteristics that facilitate all aspects of his life. With the
development of technology and the availability of various digital
design programs, the digital design (graphic) has become one of the
latest and most beautiful The arts receive the attention of various
groups, as digital design was taken as a concept to transform
classic computer design into a more professional and creative
design, and this explains the success he has reached and also his
arrival to a stage that makes it an essential element in various
fields wherever we go. Color is also a visual and universal language
of great impact, so its importance in modern digital designs
requires that we give it its right and attention, as well as its visual
and communicative importance, as it has aesthetic and creative
value, especially in designs that adopt modern technologies and
their wide color capabilities, so the current research came as an
attempt to search for aesthetic reflections For color in modern
digital designs, the current research included four chapters. The
first chapter included the research problem, which was defined by
the following question: What are the aesthetic reflections of color in
modern digital designs?
As for the second chapter - the theoretical framework, it included
three sections. The first topic concerned: the concept of aesthetics,
while the second topic included a study of the structure of digital
design, as well as the indicators of the theoretical framework.
As for the third chapter, it dealt with research procedures and
methodology, as the researcher adopted the descriptive and
analytical approach in the research sample that consisted of (4)
book covers from the total research community issued in 2017 by
the Iraqi Cultural Affairs House. According to the results of thetheoretical framework of indicators, in the analysis of her chosen
research models.
Anahtar Kelimeler
Abstract
In the current era, technology has dominated the details of our
lives, and catching up with technology has become a necessity of
life for people because it possesses advanced creative
characteristics that facilitate all aspects of his life. With the
development of technology and the availability of various digital
design programs, the digital design (graphic) has become one of the
latest and most beautiful The arts receive the attention of various
groups, as digital design was taken as a concept to transform
classic computer design into a more professional and creative
design, and this explains the success he has reached and also his
arrival to a stage that makes it an essential element in various
fields wherever we go. Color is also a visual and universal language
of great impact, so its importance in modern digital designs
requires that we give it its right and attention, as well as its visual
and communicative importance, as it has aesthetic and creative
value, especially in designs that adopt modern technologies and
their wide color capabilities, so the current research came as an
attempt to search for aesthetic reflections For color in modern
digital designs, the current research included four chapters. The
first chapter included the research problem, which was defined by
the following question: What are the aesthetic reflections of color in
modern digital designs?
As for the second chapter - the theoretical framework, it included
three sections. The first topic concerned: the concept of aesthetics,
while the second topic included a study of the structure of digital
design, as well as the indicators of the theoretical framework.
As for the third chapter, it dealt with research procedures and
methodology, as the researcher adopted the descriptive and
analytical approach in the research sample that consisted of (4)
book covers from the total research community issued in 2017 by
the Iraqi Cultural Affairs House. According to the results of thetheoretical framework of indicators, in the analysis of her chosen
research models.
Keywords