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CHARACTERISTICS OF THE STYLE IN THE ARAB MAQAMAT BADI AL-ZAMAN AL-HAMDHANI AS A MODEL

CHARACTERISTICS OF THE STYLE IN THE ARAB MAQAMAT BADI AL-ZAMAN AL-HAMDHANI AS A MODEL

CHARACTERISTICS OF THE STYLE IN THE ARAB MAQAMAT BADI AL-ZAMAN AL-HAMDHANI AS A MODEL

 
Yazar : Soulaf BOUHARATI    
Türü :
Baskı Yılı : 2020
Sayı : 53
Sayfa : 378-393
DOI Number: :
Cite : Soulaf BOUHARATI , (2020). CHARACTERISTICS OF THE STYLE IN THE ARAB MAQAMAT BADI AL-ZAMAN AL-HAMDHANI AS A MODEL. Route Education and Social Science Journal , 53, p. 378-393. Doi: 10.17121/ressjournal.2779.
1003    2586


Özet
The shrine is an ancient and ancient literary art by the Arabs that appeared in the fourth century AH in the Abbasid era by Badi Al-Zaman Al-Hamdani, who was one of the greatest writers of his time, the creators. And intelligence. The maqamah after Al-Hamdhani spread widely in the Levant, Morocco and Andalusia, and its topic was no longer restricted to fraudsters, but rather it went to many serious subjects and events, and the writers continued to admire this art until the beginning of the twentieth century. In this context, we decided to go into this field by studying the advantages of the method in the Arab maqamat, “Badi al-Zaman al-Hamdhani as a model”, in which the focus is on style and the expressive functions that the use of language and structures perform. This research is an attempt to demonstrate how the advantages of the method are reflected in the positions of Al-Hamdhani, based on the study of the structural structure, the student sentences, and graphic imaging.

Anahtar Kelimeler
Style, Arabic Maqam, Syntax, Graphic Representation.

Abstract
The shrine is an ancient and ancient literary art by the Arabs that appeared in the fourth century AH in the Abbasid era by Badi Al-Zaman Al-Hamdani, who was one of the greatest writers of his time, the creators. And intelligence. The maqamah after Al-Hamdhani spread widely in the Levant, Morocco and Andalusia, and its topic was no longer restricted to fraudsters, but rather it went to many serious subjects and events, and the writers continued to admire this art until the beginning of the twentieth century. In this context, we decided to go into this field by studying the advantages of the method in the Arab maqamat, “Badi al-Zaman al-Hamdhani as a model”, in which the focus is on style and the expressive functions that the use of language and structures perform. This research is an attempt to demonstrate how the advantages of the method are reflected in the positions of Al-Hamdhani, based on the study of the structural structure, the student sentences, and graphic imaging.

Keywords
Style, Arabic Maqam, Syntax, Graphic Representation.

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