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Yazar
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Nizar Baniyan Shamkli
Omar Abdul Wahab Abdul Razzaq
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Türü |
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Baskı Yılı |
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2021
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Sayı |
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61
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Sayfa |
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27-52
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DOI Number: |
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Nizar Baniyan Shamkli Omar Abdul Wahab Abdul Razzaq, (2021). REFERENCE AND PHRASE IN SUFI PROSE IN THE 6TH AND 7TH CENTURIES HIJRI INDICATIVE SEMANTICS IN SUFI PROSE / STUDY IN MEANING OF MEANING. Route Education and Social Science Journal , 61, p. 27-52. Doi: 10.17121/ressjournal.2964.
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5081 778
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Özet
Sufi prose, with its remarkable uniqueness, continues to tempt
researchers to visit its worlds and its metaphors, it is a different art
that is alienated from the familiar and the prevailing, and penetrates
into the mazeof astonishment and bewilderment, and takes the way
of combining taste knowledge and indicative language and thus
presents a new vision its first obsession Raising the question, in an
effort to realize the beauty of the harmony between the limitations of
the self and the expansion of the universe and its extensions, and
therefore it is imperative to look at it in accordance with this
unprecedented specificity in Arabic writing, this art, which has
remained hidden from the circle of attention, with its structural and
functional characteristics, and overflowing with its arts In particular,
however, he remained absent or absent, prevented by
marginalization from achieving his merits, because of the authorities
and the excessive differences hostile to this secular flag, which was
reserved only for Sufism.
Sufi signs establish a new pattern of saying, in which language is
freed from the grip of exclusivity to the space of pluralism, and
dissociates itself from the widespread use of methods of saying, and
came with new perceptions, and with this perceptions, sufi language
has been removed from its being and proven by reformulating new
concepts of language. At all levels, from the point, the letter and the
word (the term), to the linguistic fabric formed by sufi prose, and the basis for the difference that depends on the paradox of the sufi
knowledge system based on the knowledge of the heart and its
imports, other than the system of reason based on its proof and
evidence, This language is limited in expressing the taste salvoal
sought by Sufism in the circumstances of their founding, their
snouts and their desires, and they have nothing but the language of
symbolism and sign-up, nodding to those sects that only those who
have tasted and experienced their conditions, as if this type of saying
really meant to break free from the domination of a monolingual
power, and to fly into the vast space of imagination from which Sufi
knowledge originates.
The reading of the expressions produced by the sufi taste can only be
achieved by discovering the sources of these expressions, and without
this can not be captured by the hidden meanings that disappear behind
the phrase, the ambiguity that characterized sufi prose is due to internal subjective factors resulting from the desire of the mystic In the cover of their knowledge, they fear that this knowledge will spread to those who are not from its people, and for fear of the apparent scholars, especially with the ordeal that occurred to Halaj (T309H), Sahourdi (T632H) and others, and from the womb of suffering this language was born The reference, and after all this comes the study of researchers for this language, which constitutes the Sufi discourse of all kinds, poetry and prose and the specificity granted to him by uniqueness and discrimination, and to solve these problems we tried hard in our research to highlight what sufism referred to in the side The prose, which dealt with this aspect of the language, especially in the sixth and seventh centuries, because sufism in this period of time raised their flag above the apparent scholars of commentators and jurists, and their proximity to the princes and the first of that time was clearly visible, and the reason for the This is due to the large number of murids of sufi scholars.
Anahtar Kelimeler
Phrase, Symbol, Prose, sufi.
Abstract
Sufi prose, with its remarkable uniqueness, continues to tempt
researchers to visit its worlds and its metaphors, it is a different art
that is alienated from the familiar and the prevailing, and penetrates
into the mazeof astonishment and bewilderment, and takes the way
of combining taste knowledge and indicative language and thus
presents a new vision its first obsession Raising the question, in an
effort to realize the beauty of the harmony between the limitations of
the self and the expansion of the universe and its extensions, and
therefore it is imperative to look at it in accordance with this
unprecedented specificity in Arabic writing, this art, which has
remained hidden from the circle of attention, with its structural and
functional characteristics, and overflowing with its arts In particular,
however, he remained absent or absent, prevented by
marginalization from achieving his merits, because of the authorities
and the excessive differences hostile to this secular flag, which was
reserved only for Sufism.
Sufi signs establish a new pattern of saying, in which language is
freed from the grip of exclusivity to the space of pluralism, and
dissociates itself from the widespread use of methods of saying, and
came with new perceptions, and with this perceptions, sufi language
has been removed from its being and proven by reformulating new
concepts of language. At all levels, from the point, the letter and the
word (the term), to the linguistic fabric formed by sufi prose, and the basis for the difference that depends on the paradox of the sufi
knowledge system based on the knowledge of the heart and its
imports, other than the system of reason based on its proof and
evidence, This language is limited in expressing the taste salvoal
sought by Sufism in the circumstances of their founding, their
snouts and their desires, and they have nothing but the language of
symbolism and sign-up, nodding to those sects that only those who
have tasted and experienced their conditions, as if this type of saying
really meant to break free from the domination of a monolingual
power, and to fly into the vast space of imagination from which Sufi
knowledge originates.
The reading of the expressions produced by the sufi taste can only be
achieved by discovering the sources of these expressions, and without
this can not be captured by the hidden meanings that disappear behind
the phrase, the ambiguity that characterized sufi prose is due to internal subjective factors resulting from the desire of the mystic In the cover of their knowledge, they fear that this knowledge will spread to those who are not from its people, and for fear of the apparent scholars, especially with the ordeal that occurred to Halaj (T309H), Sahourdi (T632H) and others, and from the womb of suffering this language was born The reference, and after all this comes the study of researchers for this language, which constitutes the Sufi discourse of all kinds, poetry and prose and the specificity granted to him by uniqueness and discrimination, and to solve these problems we tried hard in our research to highlight what sufism referred to in the side The prose, which dealt with this aspect of the language, especially in the sixth and seventh centuries, because sufism in this period of time raised their flag above the apparent scholars of commentators and jurists, and their proximity to the princes and the first of that time was clearly visible, and the reason for the This is due to the large number of murids of sufi scholars.
Keywords
Phrase, Symbol, Prose, sufi.
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